Engage challenging art and ideas with discernment, not fear. What unsettles you might also teach you something essential.
#1 Letter to younger self
Tag: art
Let discomfort reveal, not contaminate
drowning in theory
Never working on art, finished paintings are not to be seen.
Is it fear lurking beneath?
Research spirals into endless ruminations, masquerading as progress. 
Waiting for the “perfect” conceptual depth; perfectionism masks fear of public judgment.
Hiding behind “multiple paths” to dodge the terror of committing to one signature body of work. Years go by and the mid-life crisis threatens.
perspective
An artist says “look at this”, gently directing our view to something specific, to see just the way they see; and feel what they feel. In this way they want you to connect on a deeper level, and to converse with you. Art is a means to make the viewer look at familiar things in a different perspective. 
Audience of One
Even if my work is understood by just one person in the world, that is enough. What truly matters is someone who connects deeply on a spiritual and emotional level. One gentle soul who feels that connection, not through words but through silence. In that moment, all the effort and purpose of the work is fulfilled.
obscurity
At the personal level, many painters carry traits that steer them away from publicity. Introversion, perfectionism, or fear of ridicule can make exhibitions feel threatening and interviews unbearable.
This fear of public scrutiny could burrow deep and ruin with self-sabotage. The realisation that intense exposure could distance them from the very thing that keeps it authentic. An ideal scenario would be that an artist works in obscurity but is completely outside the sphere of influence or scrutiny. A feat rarely achieved by artist.
These hesitations are amplified by cultural narratives that equate obscurity with authenticity. Since the nineteenth‑century slogan “art for art’s sake,” bohemian subcultures have elevated the unrecognised artist to heroic status, casting commercial success as moral compromise. Van Gogh’s posthumous image established the modern template: the misunderstood genius who dies poor yet triumphant in integrity.
Artistic reputation is never built alone; it relies on dense networks of curators, critics, peers, and collectors. Painters who juggle care work, battle social marginalisation, or simply lack time for networking miss the informal circuits where opportunities circulate.